Tuesday, 9 October 2012
Leftist theatre critics used to love David Mamet. The restaging of Glengarry Glen Ross at the London Apollo in 2007 sent the Guardian’s Michael Billington into paroxysms of socialist joy at the “pleasing irony” of “this attack on capitalism finally installed in our theatre’s commercial heartland”. Though careful to note Mamet’s “sneaking regard” for the salesmen portrayed in the play, Billington assured his readers that the real kick in the work sprang from its depiction of “the ugliness of a society that depends on greed and gullibility”. Six months later, Billington was crestfallen after the hitherto leftist Mamet announced a political volte-face.
The article can be read in full at the following link: